(BIS) 史博 3首豎琴及小提琴二重奏鳴曲長澤真澄貝納迪妮 Nagasawa SACD2302 價格比較,價格查詢,歷史價格詳細信息

(BIS) 史博 3首豎琴及小提琴二重奏鳴曲長澤真澄貝納迪妮 Nagasawa SACD2302 價格比較,價格查詢,價格歷史信息

Name: (BIS) 史博 3首豎琴及小提琴二重奏鳴曲 長澤真澄 貝納迪妮 Nagasawa SACD2302
SKU: 38304577-2026813255

(BIS) 史博 3首豎琴及小提琴二重奏鳴曲長澤真澄貝納迪妮 Nagasawa SACD2302 規格

(BIS) 史博 3首豎琴及小提琴二重奏鳴曲長澤真澄貝納迪妮 Nagasawa SACD2302 最新價格

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(BIS) 史博 3首豎琴及小提琴二重奏鳴曲長澤真澄貝納迪妮 Nagasawa SACD2302 歷史價格(單位:新台幣)

(BIS) 史博 3首豎琴及小提琴二重奏鳴曲長澤真澄貝納迪妮 Nagasawa SACD2302 描述

專輯類型： 1SACD 發行年份： 1900 國際條碼： 7318599923024 音樂廠牌： BIS 長澤真澄豎琴塞西莉亞．貝爾納迪尼小提琴 In 1805, on the basis of his brilliant yet expressive playing, the 21-year-old Louis Spohrwas appointed Konzertmeisterat the ducal court in Gotha. By this time he had also begun to make his mark as a composer, and during his years at the court he would add several pieces for the harp to his list of works, inspired by the young harpist DoretteScheidler. Spohrlater recalled his reaction to her playing: 'I was so deeply moved that I could scarce restrain my tears... I took my leave –but my heart remained behind!' Only months later, the two were in fact married and Spohrbegan to compose works which would form the repertoire during future concert tours. DoretteSpohr played a so-called single-action pedal harp of a similar type to the instrument used on this disc. Soon to be replaced by the double-action pedal system, the single-action pedal harp was best suited for playing in flat keys. As Spohrpreferred writing his violin parts in sharp keys, which allowed the resonance of the open strings, he adopted the method of tuning the harp a semitone lower, which had the added benefit of reducing the tension on the strings. The Sonatas Opp113-115, in D and G major, therefore have harp parts notated in E flat and A flat major respectively. Because of its delicate construction and stringing, the single-action harp has a distinct silvery bell-like sound and these sonatas are among the last important works specifically written for it. They are also the most demanding, but it is clear that Spohrintended them to display not only the technical skill of the two artists but also their musical expressiveness. The performers here are Masumi Nagasawaand Cecilia Bernardini, who have made a particular study of Spohr'swritings on performance practice. Louis Spohr (1784–1859) Sonata in D ma jor for harp and violin , Op. 113 22'12 1 ) I. Allegro brillante 10'40 2 ) I I. Adagio 4'04 3 ) I I I. Allegretto 7'14 Sonata in G ma jor for harp and violin , Op. 115 28'45 4 ) I. Allegro 13'05 5 ) I I. Larghetto 4'54 6 ) I I I. Rondo 10'33 Sonata in D ma jor for harp and violin , Op. 114 22'50 7 ) I. Allegro vivace 12'07 8 ) I I. Potpourri on themes from The Magic Flute 10'37 T T: 74'46